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Knygų lentyna/Mokslo konferencijų ir pranešimų medžiaga/CROSS-INTER-MULTI-TRANS. Proceedings of the 13th World Congress of the International Association for Semiotic Studies (IASS/AIS)

CROSS- INTER- MULTI- TRANS-
CONTENTS
INTRODUCTION
10TH CONFERENCE OF THE NORDIC ASSOCIATION OF SEMIOTIC STUDIES
DESIGNING SCANDINAVIA: A CULTURAL SEMIOTICS APPROACH TO DIALOGIC IMAGE-MAKING
ENCYCLOPEDIA AND SEMIOSPHERE
INDEX AS GATEKEEPER TOWARD DIALOGIC REASONING: PEIRCE AND BEYOND
AN INTER-CROSS UNIVERSUM INTRODUCTION TO ROMAN OSIPOVICH JAKOBSON’S SLAVIC POETRY STUDIES
SIGN-THEORETIC APPROACH TOWARDS EXPLANATION OF MENTAL IMAGERY
THE 100TH ANNIVERSARY OF GREIMAS
FROM THE SESSION “GREIMASIAN SEMIOTICS AND CURRENT AFFAIRS
DES EXERCICES PRATIQUES AU SERVICE DE LA THEORIE : LE MAUPASSANT DE GREIMAS
GREIMAS AND THE SEMIOTIC TRIANGLE OF HISTORY
INTERACTION SPACES: SEMIOTICS AND URBAN PERIPHERIES
NARRATIVE COHERENCE: INTERACTION BETWEEN VERBAL AND VISUAL IN GAME OF THRONES
LA NARRATIVITE GREIMASSIENNE COMME ELEMENT DE STRUCTURATION DU SENS DANS LE CROISEMENT DU FOOTBALL E
SQUARE DREAMING OR, FOUR WAYS OF TRIADIC SIGN-NESS ON TWO SEMIOTIC SQUARES
FROM THE SESSION “TO ALGIRDAS, TO JULIUS, TO GREIMAS
ON THE MEANING OF NARRATIVE TEXTS. RECONSIDERING GREIMAS’ MODEL IN THE LIGHT OF A NEW SOCIO-SEMIOTIC
RECONSIDERING GREIMAS’ NARRATIVE THEORY: DIFFERENCES THAT MAKE A DIFFERENCE
APPROACHES IN SEMIOTIC THEORY
FROM THE SESSION “CYBERSEMIOTICS”
WHY CYBERSEMIOTIC STAR IS NECESSARY FOR INFORMATION STUDIES
FROM THE SESSION “HUMANISM AND HUMANISTS WITHOUT BORDERS”
THE SEMIOTIC SPHERE AND ITS DEMARCATION
FROM THE SESSION “SEMIOTICS AND SEMIOTICS”
ON CONNOTATION AND ASSOCIATION IN THE WORK OF MICHAEL GIBBS (1949-2009)
ON SUBSTANCE: FROM LOUIS T. HJELMSLEV TO LUIS J. PRIETO
TRANSFORMATION OF VERBAL SIGNS AS A RESULT OF THE INTERACTIONS OF LANGUAGE SYSTEM
FROM THE SESSION “TO FIRST, TO SECOND, TO THIRD”
SOUNDS, SIGNS AND HEARING: TOWARDS A SEMIOTICS OF THE AUDIBLE FIELD
THE WEIRD INDEXICALITY OF CLIMATE CHANGE: SIGN INTERPRETATION FROM INSIDE A HYPEROBJECT
CITY, SPACE, ARCHITECTURE
CODES, GRAMMARS, FIGURES: ARCHITECTURE
CONNECTING SEMIOTICS AND CULTURAL GEOGRAPHY: A FRAMEWORK FOR THE INTERPRETATIONS OF MONUMENTS AND MEMORIALS
FROM THE SESSION “SEMIOTICS AND THEORY OF FORMS: TRIBUTE TO MARTIN KRAMPEN”
FORM AS A CATEGORY OF SPATIAL SEMIOTICS
PERICEAN INTERPRETATION OF DIGITAL GEOMETRIC ARCHITECTURE
SEMIOTIC ARTICULATIONS BETWEEN LITERATURE AND ARCHITECTURE
SEMIOTICS OF SPACE AND THEORY OF FORMS: ARCHITECTURE, FORMS OF MEANING, FORMS OF CREATION
FROM THE SESSION “TO SEE, TO DESIGN, TO BUILD”
THE DESIGN OF MUSEUMS: A SEMIOTIC APPROACH
OBJECTS FROM THE FUTURE: A SEMIOTIC APPROACH TO DESIGN FICTION
CULTURAL HERITAGES
FROM THE SESSION “PERFORMATIVITY/ ICONICITY”
RELIGIOUS CONCEPTS IN THE OLD ENGLISH TRADITION
FROM THE SESSION “RECONCEPTUALIZING CULTURAL HERITAGE IN THE SEMIOSPHERE”
FEMALE PORTRAIT IN POLISH PAINTING 1897-1956. HERITAGE AS CONTEXT FOR INTERPRETATION
PROGRESSIVE NEW YORK AND BELLE EPOQUE BUCHAREST. A FEW GROUNDS FOR COMPARING TWO CITIES
THE SAMI WORLDVIEW THROUGH SHAMAN DRUMS AS INTANGIBLE CULTURAL MANIFESTATION AND COMMUNICATION
SELECTIVE TRANSFER OF IDEOLOGICAL CONTENT OF PLACES OF WORSHIP IN INTERCULTURAL COMMUNICATION. CASE STUDY BASED ON SILESIA
FROM THE SESSION “(THE) ROLE OF SEMIOTICS IN THE ANIMATION OF CULTURAL HERITAGES”
LE DISCOURS SEMIOTIQUE ARABE
DISCOVERING THE ABANDONED AND THE LIVING: A MATERIAL-SEMIOTIC READING OF TEXTILE MILLS IN AHMEDABAD
PARADIGMATIC, SYNTAGMATIC AND SYNTACTICAL INVARIANCES IN THE SEMIOSPHERE: SOCIOHISTORICAL VS. STRUCTURAL APPROACHES TO THE STUDY OF CULTURAL HERITAGE
REPLICA AND INVENTION: A NEW LECTURE OF MODES OF SIGN PRODUCTION REGARDING THE ROMANIAN TRADITIONAL BLOUSE, IA
DIGITALITY, MULTIMODALITY, NEW MEDIA
FROM THE SESSION “DIGITAL AGE IN SEMIOTICS & COMMUNICATION”
AGAINST POST-MEDIALITY. SEMIOTIC AND AESTHETIC REFLECTIONS FOR A MORE COMPLEX VISION OF THE MEDIA SYSTEM
ARTIFICIAL INTELLIGENCE AND CUSTOMER EXPERIENCE - LIVING THE BRAND STORY OR BEING EXCLUDED FROM THE STORY
FINITE SEMIOTICS: A NEW THEORETICAL BASIS FOR THE INFORMATION AGE
FROM THE SESSION “SEMIOTICS OF MULTIMODAL DIGITAL TEXTS”
MULTIMODALITY AS A NEW LITERACY: LANGUAGE LEARNING IN THE AGE OF MULTIMODAL SEMIOTICS
SEMIOTICS OF ANIMATED IMAGES AS A NEW WAY TO PRESENT GRAMMAR SEMANTICS
EXISTENTIAL SEMIOTICS
FROM THE SESSION “(THE) NEW PARADIGM OF EXISTENTIAL SEMIOTICS”
BEING IN THE WORLD AND BEING FOR THE WORLD IN THE EXISTENTIAL MODELS OF REALITY
LA CRISE DU SENS ET DE LA COMPREHENSION DES DISCOURS MYSTIQUES. UN NOUVEAU PHENOMENE DANS LE MONDE CONTEMPORAIN
IN THE SEMIOTIC NETWORK: SIGNS, SUBJECTS, OBJECTS AND ALL IN BETWEEN
MODELING THE MULTIPLE SELF IN TRANSDISCIPLINARY INVESTIGATIVE APPROACHES
MOZART’S PERSONAL STYLE AND PERIODIZATION: PERFORMANCE, CULTURE, AND TEMPORAL DISTANCE
URBAN SEMIOCRISES RESEMANTISING CITIES: BOUNDARIES, PRACTICES AND PLAYFULNESS
LANGUAGE, TEXT, TRANSLATION
FROM THE 13TH SYMPOSIUM SEMTRA 2017
GLOCAL FOOD AND TRANSNATIONAL IDENTITIES: THE CASE OF THE MEDITERRANEAN DIET
SCIENCE IN TRANSLATION: MEMORIAL TO SOLOMON MARCUS (1925-2016)
FROM THE SESSION “TO THINK, TO SPEAK, TO WRITE”
HUMANISM OF OTHERNESS, RESPONSIBILITY AND JUSTICE IN EMMANUEL LEVINAS
THE MAN BECOMES ADAM
MULTI-LEVEL INTERPRETATION OF INDIRECT DISCOURSE NAMES
RELATIVE TENSES, LINGUISTIC RELATIVISM AND MEDIA LANGUAGE
SEMIOTIC AND SEMANTIC DYNAMICS OF THE LITERARY TEXT
SIGNS OF THE OTHER. READING EMMANUEL LEVINAS
MUSICAL ARTS
FROM THE SESSION “TO LISTEN, TO PLAY, TO DANCE”
MUSIC AS MIRROR: A TRANSDISCIPLINARY THEORY OF PSYCHOANALYSIS, MUSICAL SEMIOTICS AND RHETORIC
RHETORIC IN LITHUANIAN HOMILETICS: MUSICAL ASPECTS
SOLITUDE AND TOGETHERNESS IN MUSICAL PERFORMANCE: A MULTIDISCIPLINARY APPROACH
SOUND GESTURES AND BODY GESTURES IN 18TH CENTURY OPERA
POPULAR CULTURE, MARKETING, CONSUMPTION
THE LEXICON OF BOYS’ LOVE FAN CULTURE: A CHINESE CASE
FROM THE SESSION “CONVERGENCE TECHNOLOGIQUE, USAGERS ET CONFLIT COGNITIF”
CONVERGENCE TECHNOLOGIQUE ET CONFLIT COGNITIF
CONVERGENCIA TECNOLÓGICA, POSICIONAMIENTO Y WEB MARKETING
CULTURA POPULAR JAPONESA EN CHILE: CONTRADICCIONES DE UNA CONEXIÓN ENTRE EL CUERPO Y LOS VALORES DE UNA SOCIEDAD IDEALIZADA
EL ESPACIO DEL METRO DE SANTIAGO DE CHILE: DESCRIPCIÓN DE LA FOCALIZACIÓN PERCEPTIVA Y LA TIPOLOGÍA DE SUS PASAJEROS
FROM THE SESSION “SEMIOTICS AND CONSUMPTION”
BRAND SHAPING MECHANISMS: CAMPER AND MORITZ AS CASE STUDIES OF SIGNIFICATION ADVERTISING
SEMIOTICS, BRANDING AND CONSUMPTION: STREET SIGNS AND DIVERSITY ON THE CATWALK
SIGN SYSTEMS, IT SYSTEMS, TRANSLATION PROCESSES
FROM THE SESSION “SEMIOTICS OF POP CULTURE IN THE 21ST CENTURY OF JAPAN”
ON SEMIOSIS IN THE POP CULTURE WORLD
YOSAKOI SORAN AS A SITE OF RE-LOCALIZATION AND ITS RELATIONSHIP TO JAPANESE POP CULTURE
SOCIETY, CULTURE, POLITICS
FROM THE SESSION “(LA) PRODUCCIÓN CIRCULACIÓN Y CONSUMO DE LA SEMIÓTICA EN AMÉRICA LATINA Y ESPAÑA”
ESCENOSFERA
LAS FUNCIONES DOCUMENTALES. ESTRATEGIAS DE USO DE LOS DOCUMENTOS EN EL CÓMIC DOCUMENTAL
FROM THE SESSION “SOCIOSEMIÓTICA, INTERDISCIPLINA Y TRANSDISCIPLINA”
INTERDISCURSIVIDAD SOCIO-SEMIÓTICA
MEMORIAS DE LA GUERRA: APUNTES SOBRE LO HUMORISTICO EN EL CINE DE MALVINAS
SOCIOSEMIÓTICA: INTERDISCIPLINA Y PROYECCIÓN TRANSDISCIPLINAR
FROM THE SESSION “SEMIÓTICAS DE LAS MEDIATIZACIONES”
FORMA DE VIDA Y DIGNIDAD EN EL DISCURSO JURÍDICO EN COLOMBIA
LA SENSORIALIDAD FRENTE A LOS AROMAS FLORALES Y LA REPRESENTACIÓN DE LA MUERTE EN LA CULTURA URBANA DE BUCARAMANGA, COLOMBIA
FROM THE SESSION “SEMIOTICS FROM THE VIEWPOINT OF TRANSDISCIPLINARITY AND COMPLEXITY THEORY”
OF SEMIOTIC PROCESSES, GENDER MEANING PRODUCTION IN POLITICS: FROM MODEL TO POLITICAL CANDIDATE IN MEXICO (2015)
FROM THE SESSION “TO COEXIST, TO PARTICIPATE, TO CHANGE”
IN SOCIAL MOVEMENTS: INTERVENTION IN THE FIELD AS TEXT
IS THE AMERICANISATION OF THE INTERNET A FORM OF SEMIOTIC COLONIALISM?
NEWS FRAMING: A SEMIOTIC APPROACH
LA VILLE CRÉATIVE. ESPACE URBAIN, PÉRIPHÉRIE ET MÉMOIRE COLLECTIVE DANS UNE PERSPECTIVE INTERDISCIPLINAIRE
VISUAL AND AUDIOVISUAL ARTS
FROM THE SESSION “ART THERAPY AND NARRATIVE TOOLS”
THE ROLE OF INNOVATION AND TRADITION IN ART THERAPY NARRATION
FROM THE SESSION “IMAGE AND SOCIAL INCLUSION”
ALIENACIÓN PSICO-POLÍTICO-SOCIOCULTURAL EN LA SEMIOSFERA COSPLAYER DE LA JUVENTUD FRIKI-OTAKU MEXICANA
FROM THE SESSION “MODELLING IN DIGITAL HUMANITIES”
A COGNITIVE SEMIOTICS APPROACH TO THE ANALYSIS OF STREET ART. THE CASE OF ATHENS
FROM THE SESSION “TO WATCH, TO ACT, TO DIRECT”
SEMIOTICS (OF CINEMA)’S NOT DEAD
“TOM’S GONE. HE LEFT THE FILM”. WHEN FILM CHARACTERS FROM BOTH SIDES OF THE SCREEN START TO INTERACT

CROSS-INTER-MULTI-TRANS. Proceedings of the 13th World Congress of the International Association for Semiotic Studies (IASS/AIS)

 
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